tokimekiwaku: ok just take this azazel

tokimekiwaku:

ok just take this azazel

ghastly-h-crackers:

ruinedchildhood:

 

Because there, in those last moments as the finger tightened around the trigger she knew what it was to be truly alive.

(via sirkowski)

yamino: comicallyvintage: I Must Get Away! I know that feel, gurl People’s reaction to me in one panel!

yamino:

comicallyvintage:

I Must Get Away!

I know that feel, gurl

People’s reaction to me in one panel!

(Source: toekneestark, via adriofthedead)

surfdog2000: adapadapa: adriofthedead: surfdog2000: goatpox: All bready to go… hey, quit loafing around Public transportation sure is crumb-y. I love this sort of slice-of-life candid photography. it’s better than walking, at yeast I really do just…. hate you all.

surfdog2000:

adapadapa:

adriofthedead:

surfdog2000:

goatpox:

All bready to go…

hey, quit loafing around

Public transportation sure is crumb-y.

I love this sort of slice-of-life candid photography.

it’s better than walking, at yeast

I really do just…. hate you all.

kozmial:

“The Eric Andre Show”

I have found a new love in my life….

incises:

manscaper:

hey do you guys like my cosplay

goh my god

(via sirkowski)

fuckyeahralphbakshi:

Via Animation Archive:

we digitized a section of storyboard from one of the biggest flops in recent times, Ralph Bakshi’s Cool World. This film could be the poster child for devastating executive interference. Paramount bought a hard-R, gritty, sexy, noir horror/thriller from Bakshi and proceeded to revise it into a low-rent Roger Rabbit aimed at teenagers. By the time the film was completed, it bore little resemblence to Bakshi’s original concept.

Art by Louise Zingarelli

-FYRB